Paris in 1789 is a labyrinth of twisted streets, filled with beggars, thieves, revolutionaries—and magicians…
When smallpox kills her parents, Camille Durbonne must find a way to provide for her frail, naive sister while managing her volatile brother. Relying on petty magic—la magie ordinaire—Camille painstakingly transforms scraps of metal into money to buy the food and medicine they need. But when the coins won’t hold their shape and her brother disappears with the family’s savings, Camille must pursue a richer, more dangerous mark: the glittering court of Louis XVI and Marie Antoinette.
With dark magic forbidden by her mother, Camille transforms herself into the ‘Baroness de la Fontaine’ and is swept up into life at the Palace of Versailles, where aristocrats both fear and hunger for la magie. There, she gambles at cards, desperate to have enough to keep herself and her sister safe. Yet the longer she stays at court, the more difficult it becomes to reconcile her resentment of the nobles with the enchantments of Versailles. And when she returns to Paris, Camille meets a handsome young balloonist—who dares her to hope that love and liberty may both be possible.
But la magie has its costs. And when Camille loses control of her secrets, the game she’s playing turns deadly. Then revolution erupts, and she must choose—love or loyalty, democracy or aristocracy, freedom or magic—before Paris burns.
Although a detailed beginning, this is a debut that really engrosses you and builds to a fast paced ending.. Perfect for readers who enjoy magically infused historical fiction. I believe if you liked “The Night Circus” by Erin Morgenstern, you will enjoy this.
Exclusive Q&A with author Gita Trelease
Congratulations on your debut novel “Enchantee”!! 1789 – France: this is a very interesting time and place setting. What moved you to write a story that was based here?
Thank you! I’m drawn to moments in history that I think of as “threshold” moments, and the French Revolution is one of those. The decadent world of the French aristocracy is dying and a new world, shaped by new and sometimes terrifying ideas, is struggling to come into being. It’s a time of great turmoil and change, and that’s very appealing to me as a writer. The French Revolution is also a time when what seems to be right might not actually be right, and I wanted the opportunity to explore complexity.
The family dynamic in this story: Camille, Sophie and Alain (the family we meet in the beginning) is quite interesting, were these characters inspired by a family you knew? Who or what was your inspiration for your characters, particularly Camille and her personality?
There wasn’t any direct inspiration, but like Camille’s Maman, my own mother died when I was fairly young. I think it forced me to become independent very quickly and to assume more responsibility for myself than I was ready for, though for me it was nothing like the pressure her parents’ deaths puts on Camille. Because of that enormous pressure, Camille makes a lot of mistakes—I think that can happen to all of us. I didn’t want to write a “perfect” heroine. She’s a bit like me in other ways, too, though I didn’t realize that when I was writing the book: resourceful but also a bit impetuous. Which is a better trait for a character in a novel than in real life! As for Camille’s siblings, Sophie and Alain, they’re probably a mix of all sorts of experiences I’ve had and people that I’ve met. My only sibling is my younger brother and thankfully he is nothing like Alain!
From having your first idea to first draft, edits to publication – how long did it take for you to get to this point? Was this book always going to be called “Enchantee”?
From the first glimmerings of the idea in the summer of 2014—when the story revolved around the rescue of Marie Antoinette by balloon!—the working title has always been Enchantée. I assumed it would change if I sold the book, because I worried about a French title, but my team all liked it. I started writing the book in January of 2015, and after at least seven drafts, I queried a handful of agents on Bastille Day, July 14, 2017. After that, everything went very quickly: I got several offers of representation in the following weeks and after a whirlwind revision at the
end of September, the book sold at auction in October.
Some authors go to a writer’s retreat to focus on their writing, did you have a special place you retreated to whilst writing “Enchantee”? (Perhaps Paris for inspiration?)
I wish I could have written all of it in Paris! I was lucky enough, though, to visit in the summer of 2015, and the time I spent researching at the Musée Carnavalet (the collection contains artefacts from the French Revolution), strolling through Paris, and wandering the halls and gardens of the Palace of Versailles was incredibly inspiring. I wrote a lot of Enchantée in our apartment in a boys’ dormitory at a boarding school where my husband is a teacher—not a particularly quiet place! We own an old farm house on the coast of Maine that we’ve been fixing up and a little shed I have there is my favorite place to write. It’s very peaceful and I do a lot of absolutely necessary daydreaming there.
When you are not writing or reading, what would you be doing?
I love to be outdoors, especially by the ocean, and I love to take photographs, but if I could do anything, I’d be traveling and exploring new places.
Ultimate Holiday Destination: Morocco
Guilty pleasure dessert: Pomegranate Pavlova
When I was a child, I wanted to be a ____spy_____ when I grew up.
Famous last words: “I think I know a shortcut we can try…”
With special thanks to Pan Macmillan Australia Publishers for having Read3r’z Re-Vu on board as part of the Echantee Blog Tour, for co-ordinating the interview and for sending a review copy of this book.