The epic debut in the Sands of Arawiya Series!!
People lived because she killed.
People died because he lived.
Zafira is the Hunter, disguising herself as a man when she braves the cursed forest of the Arz to feed her people. Nasir is the Prince of Death, assassinating those foolish enough to defy his autocratic father, the king. If Zafira was exposed as a girl, all of her achievements would be rejected; if Nasir displayed his compassion, his father would punish him in the most brutal of ways.
Both are legends in the kingdom of Arawiya—but neither wants to be.
War is brewing, and the Arz sweeps closer with each passing day, engulfing the land in shadow. When Zafira embarks on a quest to uncover a lost artifact that can restore magic to her suffering world and stop the Arz, Nasir is sent by the king on a similar mission: retrieve the artifact and kill the Hunter. But an ancient evil stirs as their journey unfolds—and the prize they seek may pose a threat greater than either can imagine.
Set in a richly detailed world inspired by ancient Arabia, We Hunt the Flame is a gripping debut of discovery, conquering fear, and taking identity into your own hands
“An idle mind is the devil’s playground…”
As I heard about this book a year ago, I purposely took my time to read this slowly so I really could really immerse myself in the intricate world of Arawiya. What first drew me in was how the world was inspired by ancient Arabia and the story included a strong female character, djinn and ifrit – elements of an epic Arabian inspired tale. The world building in the first quarter of the book did take a bit of time as the world of Arawiya is complex and made up of 6 main lands or kingdoms or sectors that we learn about as we learn about our characters however it was still very engaging.
The way the author really described the landscape really brought back memories of my visit to Arabia as images of the Arabian desert and ancient Arabian villages came to life in my mind. It really triggered my imagination. The characters really came to life too and I kept picturing characters dressed as the cast from an Islamic history movie called “The Message” which is set in 6th Century Arabia. From the clothes to the housing to the Arabian food – the author did an amazing job in bringing everything to life – I actually wanted to go to Arawiya!!
The book is very clever and lyrical. There are multiple story lines that blend together so eloquently and I came to care for the characters we met – particularly Zafira and Nasir. Zafira is the Hunter, disguising herself as a man when she braves the cursed forest of the Arz to feed her people. Nasir is the Prince of Death, assassinating those foolish enough to defy his autocratic father, The Sultan. Both have a lot at stake and both are legends of Arawiya.
“The first step in getting anywhere is believing you can…”
This is my book love for 2019 and it is only just released. For me, this book had everything from deep fantasy world building inspired by one of the most exotic places I have come to know to a journey of self-discovery, empowerment and courage. Epic plot twists that lured me deeper and deeper into the story and the way it ended was quite exciting – yes there is a cliffhanger I am really looking forward to but will definitely re-read the finished copy. I am so happy this book is written.
First and foremost, a book by a Muslim author set in Arabia with kick-ass characters is already very special, and I completely get the hype around the book. For me, however, the beginning was a bit hard to get through. There was a lot of story building, and the only reason I was able to understand a lot of it was because of my prior knowledge of the Arabic language.
Once you get past the first few chapters it becomes much easier to read and immerse yourself in the world the story is set in. What I liked about it was obviously the fierce female protagonist and the very interesting world it was set in, and how the secrets were slowly revealed as you keep reading.
The ending seemed a little rushed, and cliche, but it ended on an interesting cliff hanger that definitely makes you want to get the next book in your hands ASAP! And I also appreciate Hafsa for making it clear that there is no Muslim representation in the book, and that Arab is not equal to Muslim. I can’t wait to see what she comes up with next!!!
Exclusive Blog Q&A with author of We Hunt the Flame, Hafsah Faizal
The names of your characters are very unique and beautiful. Is there a reason you chose certain names for them?
Yes! Each character name ties into that character’s personality and role in the story—most of the time, anyway. I put a lot of thought into each name, and I love that anyone who analyzes them will be rewarded with an extra treat! The names Zafira and Nasir are both variations on the word “victorious.” There’s something deeply satisfying about two people who seem wholly different being entwined in ways that aren’t obvious at first.
Who is your favourite character and why?
I can never answer this question, because I love Zafira and Nasir equally. I love Altair, too, the general who somehow became a main character without even having a point-of-view of his own! If I had to choose which character’s point-of-view I like best, however, I’d say Nasir, because we get to learn his feelings about Zafira, Altair, and the rest of the cast, and how drastically those views change as the story progresses.
What is your writing process?
I just write! I try not to pause for research and the like when I’m in the thick of it, saving those for before or after a writing session so as not to disrupt the flow. The process itself varies depending on my mood or the scene I’m writing. Sometimes, I have a clear image in my head that’s a breeze to get down. Other times, I’ll have to write a few different versions to see which fits the scene best. One thing I’ve learned: trust the characters. They know what they want, and if it’s not clear at first, I can usually uncover their motives and desires after a few edits!
Where do you go for inspiration and motivation?
Pinterest! Admittedly, finding anything Middle Eastern is hard because it’s so often mixed with South Asia, but there’s always something! For motivation… it depends. Sometimes, when I’m in a rut, I just need to watch an Assassin’s Creed game trailer. Other times, I just need to work on something else, usually design projects.
Why did you choose ancient Arabia or an Arabian nights theme for your debut novel?
This is a long story, but I never set out to write a story inspired by the world of ancient Arabia. We Hunt the Flame started off as a fantasy set in a eurocentric world, but while drafting, I had a nagging sense of something being off, but I couldn’t figure out what. After about thirty-thousand words, I stopped to craft the world’s map when it hit me: the structure of my world matched that of the Mediterranean. Why not go further south—to the world of Arabia—and set the story in a place more familiar to me? It’s a place so often demonized and sometimes exoticized, and I had the chance to make a difference. The rest, as they say, is history!
From initial idea to draft to manuscript to publication, how long did “We Hunt the Flame” take you to write?
I’m not sure when the initial idea for the story occurred, but between the time I started writing We Hunt the Flame until its publication on May 14th, 2019, it took roughly six years. It was going to be my last attempt at publication, so I took it less seriously than I did my other manuscripts. Once I finished the first draft, I became more dedicated to it—between polishing the draft, querying, and auction, it took around six months! Which is the perfect analogy to publishing: things can move excruciatingly slow one moment, and lightning quick the next.
I love the map of Arawiya, I actually printed it and it’s hanging on my desk at work (yes I know, I’m a nerd) I am curious to know how you come up with the landscape/map of Arawiya, did you design it and mark everything yourself or did you have a ‘bookish cartographer’ on hand?
Oh gosh, I adore the map! Virginia Allyn is the mastermind behind the stunning work of art. As I said, I put together a sketch of the world early on. It was very bare bones, with defined borders and locations. When the time came, I sent that sketch, symbolism, and as many details as I could to Virginia, who turned it around with the amazing map we have now. Funny thing, back when being published was a dream I didn’t fully believe in, I used to hoard bookish maps and humor myself that I would have a map half as beautiful one day. Dreams do come true!
What is the best piece of advice you received during your writing journey and what would you pass onto other aspiring writers?
You can’t edit what isn’t there.
I know, it’s such an obvious thing, but when you’re drafting, it’s so easy to feel like the words you’re writing aren’t good enough. It’s easy to get caught up on editing the same passages over and over again, which is hindering, and tends to slow me down drastically, when instead, I could be finishing a draft and getting a better idea of what needs editing. I’m still learning to “just write,” so if you’ve mastered this, you’re a pro already!
Visit her website for more on ‘We Hunt the Flame’ and updates from: Hafsah Faizal
Special thanks to Pan Macmillan Publishers for sending us an advanced review copy of this book and for organising our exclusive blog Q&A with the amazing Hafsah Faizal.
ARC read along + Blog Review + Q&A
compiled by Annie and Aida